
News Story
After three weeks of spectacular music, theatre, dance and opera, the 2025 Edinburgh International Festival has drawn to a close. We've welcomed over 111,000 of you from 91 countries to enjoy the finest and most exciting performers from across the globe.
You joined us to dance, sing, engage, listen, watch and connect. We can’t wait to do it all again with you next year.
One of the beautiful things about the Edinburgh International Festival… it can put before audiences work so original and astonishing that it will stay with them for the rest of their lives.Works and Days, The National
2025 Festival in Numbers
The third Festival under the leadership of Festival Director and Scottish violinist Nicola Benedetti, this year’s bold programme that challenged and rewarded audiences.
The 2025 International Festival saw the most international audience in recent years - 91 countries were represented in our concert halls and theatres. Drawn by more than 2,000 artists and participants from across 41 countries, audiences experienced the world’s greatest theatre, dance, music and opera, often in unconventional settings.
Nicola Benedetti has brought intriguing changes as the Director of the Edinburgh International Festival, introducing bold overarching themes, beanbag concerts and developing deeper relationships with visiting artists through residencies.Benedetti & Sitkovetsky, Backtrack
Image gallery
A gallery carousel of 9 items

Nicola Benedetti at First Night at The Hub
© Credit : Andrew Perry
Kayla Maree Tarantolo as The Jester in Scottish Ballet's Mary, Queen of Scots
© Credit : Andy Ross
Dance People
© Credit : Tommy Ga Ken Wan
The Big Singalong
© Credit : Jess Shurte
LSO: Puccini's Suor Angelica
© Credit : Jess Shurte
Imar
© Credit : Tommy Ga Ken Wan
Breaking Bach
© Credit : Tommy Ga Ken Wan
Roseanna Leney as Mary and Evan Loudon as Darnley in Scottish Ballet's Mary, Queen of Scots
© Credit : Andy Ross
Hanni Liang Dreams
© Credit : Jess ShurtePremieres
7 world premieres. 8 UK and Scottish premieres. 2 European premieres.
We kicked off the Festival with the world premiere of Make It Happen, which alone was attended by over 22,000 people. Other highlights included the eight-hour choral epic The Veil of The Temple; an Australian circus reimagining of opera Orpheus and Eurydice; and Nederlands Dans Theater's extraordinary Figures in Extinction.
Image gallery
A gallery carousel of 9 items

Make it Happen
© Credit : Jess Shurte
Make it Happen
© Credit : Jess Shurte
The Veil of The Temple
© Credit : Andrew Perry
The Veil of The Temple
© Credit : Andrew Perry
Orpheus & Eurydice
© Credit : Jess Shurte
Figures in Extinction
© Credit : Andrew Perry
Figures in Extinction
© Credit : Andrew Perry
Figures in Extinction
© Credit : Andrew Perry
Figures in Extinction
© Credit : Andrew PerryAffordability
We prioritised affordability, with targeted pricing initiatives for those who need it most. Half of all tickets were priced £30 or under, including over 5,000 £10 tickets which were offered across every performance in the programme.
A record-breaking 2,695 tickets were issued to young people from across Scotland to attend performances for free through our Young Musician’s Pass, as well as hundreds of Edinburgh's secondary school pupils who deepened their engagement with the arts through performances and workshops.
In partnership with Tickets for Good, over 1,000 tickets were also donated to NHS staff, charity workers and low-income benefit recipients.
The Edinburgh International Festival should be congratulated on staging this rarely performed and uniquely demanding piece with such care, imagination and passion.Veil of the Temple, Broadway Baby
Image gallery
A gallery carousel of 5 items

The Unseen Truth Sarah Lewis
© Credit : Andrew Perry

The Big Singalong
© Credit : Jess Shurte
Monteverdi Choir
© Credit : Tommy Ga Ken Wan
L to R Anna Williams as Mary Proxy Grace Horler as Elizabeth Proxy and Roseanna Leney as Mary in Scottish Ballet's Mary, Queen of Scots
© Credit : Andy RossAccess
Reaching the broadest possible audience, this year saw the first-ever dementia-friendly concert sell out. We also carried out 18 performances and workshops in healthcare and community settings across the city.
Exceeding 2024 totals, 7,271 free and heavily discounted tickets were issued to D/deaf, disabled and neurodivergent people and 763 new audience members signed up for the free Access Pass, bringing total membership to a new high of over 2,000.
Most sold out performances
We filled theatres and concert halls to the highest percentage in over a decade. 66 sell out performances. And over 80% of the performances received 4 and 5 star reviews.
★ ★ ★ ★ ★ “Prepare to be enthralled by this bold, courageous take on the climate crisis"
– The Telegraph on Figures in Extinction
★ ★ ★ ★ ★ “[Cliff Cardinal] knew exactly what he was doing."
– The Herald on As You Like It
★ ★ ★ ★ “a marvellous, disturbing performance"
– The Scotsman on Bernstein & Stravinsky
★ ★ ★ ★ ★ “totally absorbing”
– The List on Piotr Anderszewski
★ ★ ★ ★ ★ “a night the Edinburgh International Festival can be proud of’"
– The Scotsman on Breaking Bach
Dive back into the action
"It's very funny, it's very violent, it's very strange."
Before Figures in Extinction had its Scottish premiere this weekend, Festival Director Nicola Benedetti met with actor, playwright & director Simon McBurney to find out more about working with "the greatest contemporary dance company in Europe".
This year's International Festival has been one of extraordinary contrasts, from grandeur and scale to intimacy and informality. Through the theme The Truth We Seek, we were determined to challenge as well as entertain. I've seen this year how art can build bridges, change minds and find connection in a world that so desperately needs it. This Festival reminded us why we gather, why we create, and why we believe.Nicola Benedetti, Festival Director
That’s a Wrap
Thank you for being a wonderful audience. Until next time 💛
©