Samuel Coleridge-Taylor's monumental cantata trilogy, The Song of Hiawatha (1899), became a sensation in the early 20th century, regularly selling out the Royal Albert Hall. Inspired by American poet Henry Wadsworth Longfellow’s epic poem about an Ojibwe warrior, the now rarely performed piece is one of Coleridge-Taylor's greatest achievements.  

With colourful orchestration and imaginative choral writing, the work explores themes of celebration (Hiawatha’s Wedding Feast), mourning (The Death of Minnehaha) and transcendence (Hiawatha’s Departure). Among the memorable solo numbers are the tenor’s romantic ‘Onaway! Awake, beloved!’ and the baritone’s impassioned ‘Farewell, said he, Minnehaha’. 

Join the Orchestre symphonique de Montréal, conductor Rafael Payare, a trio of star soloists including Scottish tenor Nicky Spence, and the Edinburgh Festival Chorus for the first Festival performance of this choral masterpiece. We have invited Uchenna Ngwe, a specialist in Black British classical music, to introduce its fascinating history.  

The orchestra’s second concert, Voices of Canada, features Canadian Indigenous voices and contemporary compositions – their two concerts truly in conversation with each other. 

Supported by The Québec Government Office in London