LSO: Beethoven & Shostakovich

Experience the power of two show-stopping symphonies, performed by the London Symphony Orchestra (LSO), with insight from Sir Antonio Pappano and Nicola Benedetti.

Nicola Benedetti and Sir Antonio Pappano co-present this concert, introducing two monumental symphonies by composers reckoning with mortality and the world around them. Known for ‘keeping the electricity at high voltage throughout’ (The Telegraph), Pappano conducts the LSO.

With its iconic four-note motif, the opening of Ludwig van Beethoven’s Fifth Symphony is one of the most instantly recognisable musical refrains in history. Sometimes known as the ‘Symphony of Fate’, tension intensifies as the motif repeatedly returns, symbolising fate’s relentless knock at the door.

Dmitri Shostakovich’s Tenth Symphony follows, which premiered shortly after Joseph Stalin's death. Through its powerful portrayal of savagery and, ultimately, liberation, it grapples with the pursuit of truth under oppression.

The Warm Up: London Symphony Orchestra Residency

Listen to The Warm Up, your bite-sized audio introduction to the performance.

Nicola Benedetti and conductor Sir Antonio Pappano delve into the repertoire of London Symphony Orchestra's boundary-pushing residency.

Listen on Soundcloud or Spotify.


Supported by Edinburgh International Festival Endowment Fund, with additional support from the Consulate General of Italy and the Italian Institute of Culture in Edinburgh

Programme

A keepsake freesheet is available at the venue for this performance.

Full programme

Beethoven Symphony No.5 in C minor, Op.67

Shostakovich Symphony No.10 in E minor, Op.93

Sibelius Valse Triste Op. 44

ENCORE

Performers

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  • London Symphony Orchestra
  • Sir Antonio Pappano
    Conductor
  • Nicola Benedetti
    Presenter

Dive Deeper

Listen to The Warm Up: your audio introduction to the performance.
The London Symphony Orchestra plays Beethoven No. 5

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Being on the concert platform is perhaps a purer experience [than conducting opera]. You’re dealing with just the music, and it’s as if you’re looking in the mirror and you’re being asked by your inner-self

Sir Antonio Pappano

Dates & Times