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Make a donation today and your support will go directly towards the planning and programming of future Festivals.
Alternatively, please call +44 (0)131 473 2065.
How your donation will be used
Each and every donation, no matter how large or small, is most gratefully received, helping to provide us with the funds needed to invite the world’s most talented artists to Edinburgh and ensure the Festival remains a world-class event each year.
In 2015 your donations will play a vital role in bringing over 2,300 artists from 39 nations to the stages of our beautiful city. Donations from our Friends and Patrons are enabling us to present the Festival debut of Volksbühne Berlin with Herbert Fritsch’s sumptuous, satirical staging of Murmel Murmel. Our Benefactors are continuing to support our series of morning concerts at The Queen’s Hall, with many also opting to support particular evening performances at the Usher Hall, the Festival Theatre, the Edinburgh Playhouse and the Edinburgh International Conference Centre. Others are supporting our Creative Learning programme.
Don't forget to gift aid it!
Gift Aid allows us to claim an extra 25p from the Inland Revenue for every pound that a UK tax payer gives us, at no extra cost to you. Simply choose yes next to the gift aid declaration when making your donation or download the Gift Aid declaration form, sign and return to us.
Other ways to make a difference
Play an integral role with the Festival by choosing to donate at the highest levels, either as a Festival Benefactor or a member of The Director’s Circle. Your support can go directly towards our core programming costs or a particular area of the Festival programme.
The donations of our Benefactors make a significant impact on the work of the Festival. Depending on their particular area of interest, Benefactors can choose to dedicate their support towards a particular performance or strand of work at the Festival that they are most passionate about. Alternatively we welcome donations towards our general programming costs, enabling us to direct support towards those projects most in need of funds. These donors enjoy unrivalled access to performances and special events.
We ask Benefactors for a minimum donation of £5,000. If you too have a passion for the arts and would like to make a generous and profound difference to the Festival, please contact Linda Borthwick, Membership Officer on +44 (0)131 473 2064 or email email@example.com for an informal chat.
The Director’s Circle
The Director’s Circle is a group of individuals who each year make a donation towards a special project which is particularly personal to the Festival Director, usually including new or less familiar work which it might otherwise not be possible to programme. In 2015 Fergus Linehan has selected the Edinburgh debut of German director Herbert Fritsch and the Volksbühne Berlin with the ‘unstagable’ Murmel Murmel as the production which The Director’s Circle will support.
‘Murmel Murmel is a real Festival show – original, unclassifiable and unforgettable. It combines theatre, dance, visual art and composition while introducing us to a major new voice in European theatre, director Herbert Fritsch. The moment I saw it I knew that this was a work I wanted to share with the Edinburgh audience. I hope that you will consider assisting the Festival in bringing this work to Edinburgh by making a donation and becoming a member of the Director’s Circle.’ Fergus Linehan, Festival Director
The Director’s Funds
In 2015 the Edinburgh International Festival has brought together a group of like-minded philanthropists who are committed to the future development of the Festival and in particular assisting us to achieve our longer-term goals in the areas of commissioning, education and opera.
‘I believe that some areas of the Festival’s work require strategic longer-term preparation to truly maximise their potential. In order to allow such future planning I have introduced three new funds – the EIF Commissioning Fund, the EIF Opera Development Fund and the EIF Education Fund. I am excited to work with our donors over the coming years to explore together what more the Festival can achieve in these areas.’ Fergus Linehan, Festival Director
The Opera Development Fund
The Festival audience deserves a first-class, well-rounded opera offering that truly delivers upon the Festival’s reputation as one of the leading performing arts events in the world. In order to successfully deliver such a programme a secure, stable source of funding and a clear, strategic long-term view are essential. Being able to plan with certainty several years in advance provides the opportunity to work with the best companies and enables world-class casting possibilities.
The Marriage of Figaro is funded by James and Morag Anderson through the Edinburgh International Festival Opera Development Fund.
The Commissioning Fund
The EIF Commissioning Fund supports the commissioning of new works and productions across the art forms presented by the Festival, allowing a more personal conversation with our artists and seeing the Festival involved from the beginning of the creative process as both a commissioning and presenting partner.
In 2015 the Festival’s commissions and co-productions include James McMillan’s Percussion Concerto No. 2 , Ivo van Hove’s Antigone, Robert Lepage and Ex Machina’s 887 and Simon McBurney and Complicite’s The Encounter.
The Encounter is funded by Sir Ewan and Lady Brown through the Edinburgh International Festival Commissioning Fund.
The Education Fund
Our Creative Learning team work year round with schools and the community to deliver a range of classes, workshops and performances. Designed to encourage engagement with the Festival and with the arts in general, we present a variety of opportunities which bring together artists, educators, young people and audiences to discuss and learn from each other in an open and exploratory space.
Our aim is that young people growing up in Edinburgh are aware of Edinburgh’s rich cultural history and its position today as the world’s preeminent Festival city, fostering a love of the Festival and the arts more generally that will see them become both the artists and the audiences of the future.
The Festival’s Creative Learning programme is supported by James and Morag Anderson through the Edinburgh International Festival Education Fund.
The Art of Listening project is supported by Michael Shipley and Philip Rudge.
To find out more about the Director’s Funds email firstname.lastname@example.org or call +44(0)131 473 2064 for an informal chat.
If you would like to find out more please contact Linda Borthwick, Membership Officer on +44 (0)131 473 2064 or email@example.com.